It’s one of those moments where I can tell my art is going to take a quantum leap forward as long as I do everything I consciously can to master this methodology.
I remember stumbling upon some gestalt info in the past but it was related to graphic design and I dismissed it because I couldn’t easily relate it to my own art, but you go through and show exactly how it relates to 2d art in a way that is easy to digest and apply, and the dynamic symmetry has been blowing my mind. What you have created is exactly what I was looking for which I couldn’t find elsewhere. Hi Tavis, I have been diving into your work religiously in my off time and I can already tell I’ve struck gold. So I am very grateful for your information on the matter, especially as it seems to be overlooked by many of my colleagues. Through quite a lot of searching for more information I ended up on your site and to be honest, I’m probably more excited than on the day someone told me very kindly I needed to learn about lighting.Īs a photographer I have always (until now) focused on technique, lighting, posing, expression, etc, etc, to improve my images, but always relied on “intuition” and the rule of thirds for composition. Thank you so much, I can’t wait to get started! A couple of months ago I read an article by New York photographer Chris Knight (also boyfriend of fashion photographer and CreativeLive educator Lindsay Adler) which mentioned the Gestalt theory and triggered my curiosity. Here are some inspiring emails from artists wanting to advance to the master level! *****
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